april greiman does it make sense
Change ), You are commenting using your Google account. This issue came as a big shock to the design community both because of the … Change ), You are commenting using your Twitter account. ( Log Out / April Greiman The graphic designer April Greiman was born in New York in 1948.In 1976 April Greiman moved to California, where she opened a graphic design studio in Los Angeles: "Made in Space, Inc.".Her graphic works, often collage-like, consist in layers of lettering and pictures, whose elements seem to float.April Greiman is regarded as one… Greiman is also credited, along with early collaborator Jayme Odgers, with helping to import the European New Wave design style to the US during the late 70s and early 80s." The theme of the issue was “Does it make sense?” which is inspired by a notation by philosopher Ludwig Wittgenstein“If you give it a sense, it makes sense.” Grieman thought that this could tie into the tools and technologies that she was using to make her work, familiar tools will lead to familiar viewpoints and outcomes. 'Does it Make Sense?' Greimans designs in Design Quarterly were far from the clean straight lines and angles that were associated with the International style, and the idea of using the emotionless, unfeeling technology of computers was frowned upon. First edition. The fuzzy pixelated bitmap imagery and text were the opposite of what designers were currently accepting as the norm. The idea of having such a big life sized digital portrait is something that today we take for granted but at the time that Greiman made her designs for Design Quarterly she was working with some of the earliest computers, including the original Macintosh that ran on 125 Kb of memory. Yet, once Greiman’s piece, called, Does it make sense? She has been called a pioneer in this regard, making it acceptable for a graphic designer to explore their craft using a computer. Sources: Biography by AIGA. A profoundly influential design piece and rare. Despite all this after seeing her works published many designers were ready to rethink their ways and perhaps give computers a chance. “April Greiman.” AIGA, www.aiga.org/medalist-aprilgreiman. Front side ‘Does It Make Sense’, Design Quarterly. 1986. idsgn is proud to present an in-depth, exclusive interview with the prolific trans-media artist, April Greiman. was released, many in return had a change of decision concerning the computer and its role in design and it caused many debates about it. ( Log Out / Somebody help me out here, words fail me… :@). According to design historian Steven Heller, “April Greiman was a bridge between the modern and postmodern, the analog and the digital.” “She is a pivotal proponent of the ‘ne… April Greiman [Designer]: DESIGN QUARTERLY 133: DOES IT MAKE SENSE? 1986. Greiman, already known for her experimental use of media such as photographic collage and still video imagery, had been early adopter of the Macintosh computer, first … I think that this flipping of not on the traditional style but also including an unconventional method of delivering her works is extremely characteristic of Greiman as a whole. https://www.aiga.org/medalist-aprilgreiman, https://walkerart.org/magazine/design-quarterly-andrew-blauvelt, A subjective history of graphic design (not necessarily the canon and certainly not in chronological order) by NCSU students for GD203 Graphic Design History course, Lester Beall- Posters for the Rural Electrification Administration, Who’s Who in Graphic Design- Lester Beall. The title comes from a quote by the philosopher Ludwig Wittgenstein: “If you give it a sense, it makes sense.” Greiman’s illustration is both a personal response and a rhetorical question about her creative and technical process. TalkXHTML. Files were way too large for the earliest systems and at times it would take all night for a single file to print out and early reproduction methods were so unflattering that Greiman had to cut and paste certain parts of her body. No less influential was April Greiman’s Does it make sense?, one of the earliest examples of computer-generated art, created for a 1986 issue of Design Quarterly magazine. will be on view from October 20 through December 13, 2008, at the Visual Arts Museum.
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